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When LeBron and his young son Dom are trapped in a digital space by a rogue After saving the life of their heir apparent, tenacious loner Snake Eyes is welcomed In the s, five men struggling with being gay in their Evangelical church started An aging hairdresser escapes his nursing home to embark on an odyssey across his After Bobby and his best friend Kevin are kidnapped and taken to a strange house TMDb Score.

NR 1 hr 49 min Sep 20th, Documentary , Music. Director Cameron Crowe. And I suppose our arena will be known as the Krakhouse. But I'm all in! The Krakhouse. I like The Krakens. The love he receives is the love that is saved.

Posts: 18, Vitalogensia said:. I like the name, logo and jerseys. My team now has a geographical rival August MayDay10 Posts: 11, I have zero interest in watching. I've watched just about every game, they've been mostly exciting. Not Rated. Did you know Edit. Trivia When asked how he felt about the film, bassist Jeff Ament claimed he felt uncomfortable with how often he used profanity on camera.

This may appear as a goof, as in some places it is mentioned that Kurt Cobain died on April 5th Both dates are relevant: April 8th is the day Kurt Cobain was discovered dead. The coroner established that he had died on April 5th. User reviews 21 Review.

Top review. When the grunge rock movement began in Seattle in the early '90s, filmmaker Cameron Crowe was living in the area and spent a good deal of time covering the music scene. At the forefront of the movement, which spread like wildfire across the globe, there were two bands: Nirvana and Pearl Jam.

Yes, Soundgarden, Alice in Chains, and a number of other bands made significant marks but it was the aforementioned duo that made grunge the all-encompassing phenomenon that it was. If you've ever seen a Crowe film, you know he has a connection with Pearl Jam; I'm pretty sure at least one PJ song can be found in each of his films, including We Bought a Zoo, an addition that made no sense but was nonetheless awesome.

Pearl Jam 20 serves as Crowe's ode to his favorite band as he traces their origins back to the pre-Eddie Vedder days and follows them up through their most recent album, interspersing concert footage with intimate interviews and some home videos to create a portrait of what could be America's last great rock band. Much like Crowe himself, I am borderline obsessed with the grunge era.

I think Nirvana saved music and you can't convince me otherwise. Pearl Jam is probably my favorite band going right now and so for me, PJ20 was an outstanding way to spend two hours.

This isn't exactly the in-depth, investigative sort of documentary that many critics were hoping for. Rather, it's almost a love letter to the band and the music of the era from a fan to the fans. And personally, I'm okay with that. It was thrilling to catch a glimpse of the inner workings of the band and the history of how they came together. I've read some of this information before but it's different to actually watch the band talk about themselves and about their music.

The grunge era is such a fascinating, exciting subject and Crowe's ability to weave together the various elements he uses to tell Pearl Jam's story is incredible. The early days of the band are of particular interest as Crowe examines the way in which the members of the group came together and the work that led to their breakout album, Ten.

Susan Lacy is the series creator and executive producer of American Masters. American Masters is made possible by the support of the National Endowment for the Arts and by the Corporation for Public Broadcasting. Additional funding for American Masters is provided by Rosalind P.

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